Wurli with contact mic, whammy and tape echo #shorts

#shorts
Tried to make an intimate and kind of broken piano sound with the Wurlitzer 200A, contact mic, whammy pedal, tape echo and different effects ???? ????

- The contact mic is mixed in with the internal pickup
- The high E notes is recorded in a separate take ????
- The whammy signal is mixed in with the original signal
- On the high E notes the whammy is only on the echoes
- The overdrive comes from a Fender Twin Reverb amp and a Hudson Broadcast pedal
- It's recorded through a Hairball Audio FET/RACK (1176) for some mild compression and coloration
- The amplifier is miced with a Shure SM-57 and a Royer R-121
- The reverb is a short/small room reverb from a Chase Bliss Audio & Meris CXM 1978

Instrument:
Wurlitzer 200A

Effects:
DigiTech Whammy (5th Gen)
Fulltone Tube Tape Echo
Hairball Audio FET/RACK Revision D
Hudson Electronics, UK Broadcast
Fulltone Supa-Trem
Chase Bliss Audio & Meris CXM 1978

Amplifier:
Fender Twin Reverb

Microphones:
Shure SM-57
Royer R-121


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